ثمینہ سید کی افسانہ نگاری
منیر عباس سپرا، پی ایچ۔ڈی سکالر
اس میں کوئی شک نہیں کہ عصر حاضر کی خواتین افسانہ نگاروں میں ثمینہ سید ایک نامور افسانہ نگار ہیں ۔ان کے اب تک دو افسانوں کے مجموعے منظر عام پر آ چکے ہیں ۔ پہلا افسانوی مجموعہ ”ردائے محبت“سیوا پبلی کیشنز لاہور سے2011ء میں شائع ہوا ہے۔دوسرا افسانوی مجموعہ ”کہانی سفر میں ہے“ بھی سیوا پبلی کیشنز لاہور سے2016ء میں منظر عام پر آیا ۔ان کا ایک شعری مجموعہ بھی چھپ چکاہے اور تیسرا افسانوی مجموعہ زیر طبع ہے۔
ان کا ہر افسانہ موضوع کے لحاظ سے مختلف اوربوقلمونی صلاحیت سے بھرپور ہوتا ہے۔ان کی کہانیاں معاشرے میں پھیلے ناسوروں کی نشاندہی بھی کرتی ہیں اور کبھی کبھی ان پر مرہم بھی لگاتی ہیں۔ان کی کہانی کے آغاز کی بنت اختتام سے جدا ہوتی ہے لیکن پڑھتے ہوئے احساس نہیں ہوتا کہ کہاں حقیقت کے رنگ افسانے میں آمیخت ہو گئے ہیں۔ ان کے افسانوں کے موضوعات میں سماجی مسائل ،طبقاتی تقسیم ، جنسی و نفسیاتی پہلو، اور روزمرہ زندگی میں درپیش آنے والے ہر پہلو کو موضوع بنایا ہے۔ان کے افسانوں میں انسانی اعمال اور معاشرتی و سماجی احوال کو خو رد بینی نظر سے دیکھایا گیا ہے۔ افسانہ نگار نے جدید دور کے انسان کے ذہنی رویوں اور نفسیاتی مسائل کو سادہ اور رواں اسلوب میں قاری کے سامنے پیش کیا ہے۔ یہ بھی ان کاکمال فن ہے کہ وہ افسانے کو بے جا طوالت سے بچاتے ہوئے محدود اور منتخب لفظوں میں کامیابی سے قاری تک وہ پیغام پہنچا دیتی ہیں جس نے انہیں قلم اٹھانے پر اکسایا ہوتا ہے۔ثمینہ سید کی فن کاری یہ ہے کہ انہوں نے کہانی کے بنیادی عناصر کو جدید طرز اظہار پر قربان نہیں...
The aim of this research is to accumulate the literature related to an Islamic ideology for two of the basic components of a State, Governance and Judiciary; both have a strong impact on society. Pakistan is an Islamic ideological state, the only Islamic rule created on the name of religion after the state established by the Prophet Muhammad (Peace be Upon Him) in Medina. Its constitution and the style of governance should have its foundation based upon the principles of Islam; this is the main concept behind the creation of “Islamic Republic of Pakistan”. The paper will review some of the basic requirements for an administrative system to be qualified as Islamic way of governance and the judicial system in Islam includes the formulation of a comprehensive ideology of human equality and justice; the creation of a powerful incentive to adopt this ideology; and to establish a living example of equality and justice at all levels of life by defining the Islamic Judicial System & Its Legal Basis. Different Quranic verses, sayings and acts of Muslim jurists in this perspective are also studied. The paper has literature review in two major parts, first we will cover governance and Islam along with some basic terminologies from Islamic point of view and in the later part Judiciary, the concept of Justice and Judicial system in Islam will be discussed.
This study aims to present the description of Pahari, a hitherto undocumented South Asian language spoken in the Azad State of Jammu & Kashmir (henceforth AJ&K), Pakistan. The analysis presented in this study is based on the data collected between 2013-2016 from Pahari speakers. The data consists of word lists and recorded texts which were recorded and transcribed from ten informants. This description is divided into two sections focusing on morphology and syntax of the language. Part one of the study deals with morphology of word classes, while the later part analyses the syntax of simple clauses and syntax of complex clauses. This work has established that Pahari has distinctive morphological properties parallel to other languages across South Asia. Pahari has both inflected and uninflected words. It uses suffixes on verbal and nominal categories to provide information about tense gender, and number. Along with the main verb, auxiliaries in Pahari are also used to represent correct tense, mood and aspect. Pahari auxiliaries like main verb inflect for tense, aspect, number and gender. The language also exhibits the morphological processes such as derivation, reduplication and compounding. Pahari distinguishes two genders, two numbers, and seven cases. The verb has four forms: an unmarked form or the root, and three marked forms that are perfective, imperfective and infinitive. These forms of verb are regular and inflect for tense, aspect, mood, number and gender. The grammatical relations in the language are marked through postpositions rather than prepositions. Except nominative that is bare, all other cases in Pahari are marked by a postposition. Pahari has a split-ergative system with ergative case marked on the agent subjects when the verb appears either in the perfective aspect or past tense. Furthermore, unlike its sister languages, it exhibits ergativity on some phonological grounds. The ergative case marker does not appear on subject that ends with vowel while subjects that end with consonants are overtly ergative marked. The accusative case marking in Pahari is also not totally akin to the accusative marking in its sister language of the region. Direct objects in Pahari independent of whether they are animate or inanimate are accusative marked. The accusative marker is usually dropped in the sentence where the subject- object distinction is clear. In Pahari, suffixes on verb encode the habitual and progressive aspects while the perfective aspects are encoded by light verbs in complex predicates. The study also reveals that typologically Pahari is a left branching verb-final language. The canonical word order of Pahari is SOV but for some pragmatic reasoning it also shows flexible word order. In complex structures the unmarked order is a main clause followed by the complement clause. Adverbial clauses in Pahari often precede the main clause however; they may follow the main clause for some pragmatic functions. The relative clause commonly appears to precede the correlative clause. Nevertheless there are the instances where the relative clause follows the correlative clause. In conditional clauses, either the if-clause precedes the main clause or the main clause precedes the if-clause but the if-clause preceding the main clause is the preferred order. Primarily the verb agrees with a nominative subject or a nominative direct object, i.e., an unmarked noun. In addition, the Pahari verb also shows a pronominal agreement.