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Characterization of Mec a Gene of Methicillin Resistant Staphylococcus Aureus

Thesis Info

Author

Faruqi Ammad Ahmed

Department

Deptt. of Biochemistry, QAU.

Program

Mphil

Institute

Quaid-i-Azam University

Institute Type

Public

City

Islamabad

Province

Islamabad

Country

Pakistan

Thesis Completing Year

2008

Thesis Completion Status

Completed

Page

iv,46

Subject

Biochemistry

Language

English

Other

Call No: DISS/M.Phil BIO/2028

Added

2021-02-17 19:49:13

Modified

2023-02-19 12:33:56

ARI ID

1676715957804

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المبحث السابع: قصيدة بديع حقي

المبحث السابع:قصيدة بديع حقي

 حصلت الشاعرۃ علی قصیدۃ حرۃ منشورہ للشاعر بدیع حقی وذلک قبل صدور قصیدتھا وقصیدۃ بدر السیاب، وهذا مقطع من قصیدۃ بدیع حقي:

 

أي نسمۃ۔
حلوۃ الخفق علیلۃ۔
تمسح الأوراق في لین ورحمۃ۔
تھرق الرعشۃ في طیبات نغمۃ
وأنا في الغاب أبکي۔
أملاً ضاع وحلماً ومواعید ظلیلۃ۔
والمنى قد ھربت من صفرۃ الغصن النحیلۃ۔
فا نمحى النور وھام الظلّ یحکي

بعض وسواسي وأوھامي البخیلۃ[1]۔

 وذکرت نازک عن الباحث الدکتور أحمد مطلوب بأنہ أورد في کتابہ "النقد الحدیث في العراق"، وقد حصل علی أقدم قصیدۃ في الشعر الحر المعنونۃ ’’بعد موتي‘‘ المنشورۃ في جریدۃ العراق سنۃ 1921م تحت عنوان ’’النظم الطلیق‘‘ ولکن لم یذکر الشاعر اسمُہ بل رمز لاسمہ (ب۔ن)، ویدل ذلک علی أن ھناک محاولات ومباحثات حول الشعر الحر ، ودارت مناقشات بین النقاد والدارسین حول الأسبقیۃ الزمنیۃ في نظم الشعر الحر: أي القصیدتين سبقت الأخری، ھل کانت قصیدۃ ’’الکولیرا‘‘ لنازک أم قصیدۃ ’’ھل کان حباً؟‘‘ لبدر شاکر السیاب، وإلی من ترجع الریادۃ (ریادۃ الشعر الحر)؟

 وقد اعترفت نازک، بأن المسألۃ لیست مصادفۃ، إذا ھو مشروع ثقافي وإبداع کامل المحکم بالوعي والإرادۃ[2]. وتقول أیضاً بأن الریادۃ لم تکن لھؤلاء الشعراء الذین نظموا قصیدۃ واحدۃ او اثنین وعادوا إلی أسلوب الشطرین۔

وتعتقد نازک بأنّھا لو لم تبدأ ھي حرکۃ الشعر الحر، لبدأھا بدر شاکر السیاب، ولو لم یبدأھا بدر السیاب لبدأھا شاعر عربي آخر غیرہ، لأن في تلک السنین أصبح العصر یقبل الشکل الجدید ویرحب بکل ما ھو حدیث. ویتضح من المناقشات السابقۃ أن نازک الملائکۃ ھي ’’ رائدۃ الشعر الحر ‘‘ ۔

 

 



علم قراءات اور دیگر دینی علوم کا باہمی تعلق

It is clear from the fact that Allah has revealed the Quran in seven letters. And there are many things hidden in it. These are important to make Quranic readiness easier for people who read, and translate translation of Quranic words, in the contemporary interpretation of the meaning of Wafa'am and Ahmah Mussel, to smooth the path of extravagance and ease for the Umrah period. There are many such sciences that stand on the basis of different types of trees. These verses are explaining the meaningful meaning of Quranic interpretation in the Qur'aan, based on the verses of the Qur'aan, a faqha is a knowledge of a profession in the verses of the Quran, that is, in fact, the interpretation of Salaf is mentioned in the verses, On the basis of them, the Koran receives discrimination and Ejaz, which is mentioned in Koran in case of Kaafir's challenge. وَإنْ کُنْتُمْ فِیْ رَیْبٍ مِّمَّا نَزَّلْنَا عَلٰی عَبْدِنَا فَأتُوْا بِسُوْرَۃٍ مِّنْ مِّثْلِہِ وَادْعُوْا شُھَدَاء کُمْ مِّنْ دُوْنِ اﷲِ إنْ کُنْتُمْ صٰدِقِیْنَ فَاِنْ لَّمْ تَفْعَلُوْا ولن تفعلوا۔ "And if you suspect that this book which we ascend to our servant, it is not ours, so make one Surah like it, call our new ones, except for Allah Take the help you want, if you are truthful then do this work, but you did not do this and could never believe. " In relation to knowledge, other scholars and scholars (interpretation, jurisprudence, problems, beliefs, knowledge, knowledge and virtue of Muslim tradition) will be cleared.

منیر نیازی کے شعری تصورات کا تنقیدی جائزہ اردو شاعری کے حوالے سے

In our national life no one can deny the significance of fine arts that becomes more pronounced when an icon and trendsetter poet like Munir Niazi emerges on the horizon of literature. This is so because such a trend is equally responsible for the growth or decay of the nations or nationalities. Sometimes such a trend outweighs other thoughts and proves as a catalyst that moulds the history. In our national life, poetry of Iqbal can be presented as an argument in such a claim. When we see Munir Niazi in the context of a trendsetter poet, it becomes imperative upon us to study his poetic works intensely and profoundly. Only this way the literary value of Munir Niazi can be appreciated besides reaching the conclusion in proving or disproving Munir Niazi as a trendsetter poet. This research work is being presented while keeping this perspective in mind. In this research work, all the Urdu poetry collection of Munir Niazi is covered. In line with continuity and logic, the paper is divided into six chapters. The first chapter deals with the family background and initial stages of his literary life. It is important from the perspective of understanding that this stage had a lasting impression upon Munir Niazi's life. The second chapter covers the tragedy of the period Munir lived in, followed by his thoughts on the exemplary society. The third chapter is on Munir's ideas of beauty and love. This is important from the perspective that he is most often described by his critics as beauty lover poet. An attempt is made to highlight the factors that elevate Munir Niazi to this status. The fourth chapter is on the political thinking of Munir Niazi. The effects of half a century of country's politics are narrated here. The twentieth century has brought mind boggling changes that proved as precursor of unknown fear and terrorism, such as atomic technology. The fifth chapter dilates upon the ideas of fear, dread, terror, and fatigue. The six chapter deals with three forms of poetry i.e. poem, ghazal and songs to test them on the parameters of writing style and techniques. The last chapter is an overall analysis of Munir Niazi's poetry. Besides drawing the conclusions, the talking points for the future researchers have been left in the recommendations, in this last chapter. It is expected that this study will not only help in understanding the poignant poetry of Munir Niazi, but also prove to be a happy addition for Munir Niazi's fans.