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Some Properties of F-Functions

Thesis Info

Author

Kaka Khel Mian Khurshid-Ul-Wahab

Department

Deptt. of Mathematics, QAU.

Program

Mphil

Institute

Quaid-i-Azam University

Institute Type

Public

City

Islamabad

Province

Islamabad

Country

Pakistan

Thesis Completing Year

1983

Thesis Completion Status

Completed

Page

72

Subject

Mathematics

Language

English

Other

Call No: DISS/M.Phil MAT/509

Added

2021-02-17 19:49:13

Modified

2023-02-19 12:33:56

ARI ID

1676716494297

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شاعر صدیقی کی غزل گوئی

شاعرؔصدیقی کی غزل گوئی
غزل اْردو شاعری میں روح کی مانند ہے۔ یہ دراصل قصیدے کا ابتدائی حصہ تشبیب ہے جوعموماًعشق ومحبت کے مضامین پر مشتمل ہوتا ہے۔ ایک الگ صنف سخن کے طور پر ایرانی شعرا نے اس کورواج دیاعربی زبان میں غزل نام کوئی شعرِ صنف موجود نہیں ہے۔شمس رازیؔ نے غزل کی تعریف کچھ اس طرح کی کہ ہرن کو جب شکاری کتے دبوچھ لیتے ہیں اور بے بسی کی حالت میں اس کے منہ سے جو کرب ناک چیخ نکلتی ہے وہ غزل ہے۔معلمین ادب نے اب تک غزل کی جو تعریفیں کی ہیں ان میں سب سے مقبول تعریف یہ ہے کہ’’ عورتوں سے باتیں کرنا ،عورتوں کے متعلق باتیں کر نا ،عورتوں سے عشق بازی کرنا‘‘۔عربی زبان میں غزل سے مراد ’’کاتنا‘‘ لیا جاتا ہے۔عرب میں نوجوان لڑکیاں گھر کی مصروفیت سے جب فارغ ہوجاتی سوت کاتتی تھی اور جوگیت گھاتی اس کو غزل سے معنون کیا جاتا تھا۔شاعری کی اصطلاح میں غزل وہ شعری صنف ہے جس کے ہر شعر میں الگ مضمون باندھا گیا ہوجامعیت اور اختصار غزل کے ہر شعر کا خاصہ ہوتا ہے غزل کا ہر شعر اپنے مفہوم کے لحاظ سے سالم ہوتا ہے۔عشق و عاشقی کے مضامین غزل کے بنیادی عناصر سمجھے جاتے ہیں۔ڈاکٹر محمد عبدالحفیظ قتیلؔ نے اس حوالے سے کچھ یوں اظہار خیال کیا ہے:
’’غزل کے لغوی معنی عورتوں سے باتیں کرنے ،ان کے ساتھ خوش طبعی سے پیش آنے اور عاشقی کرنے کے ہیں۔اور اصطلاح میں اس صنف سخن کو کہتے ہیں جو حسن جمال کی تعریف اور عشق وعاشقی کے ذکر کے لیے مخصوص ہے‘‘ (۱)
ہیئت کے اعتبارسے غزل کے تمام مصرعے ایک ہی وزن وبحر میں ہوتے ہیں۔ہرشعر مفہوم کے اعتبار سے دوسرے سے مختلف ہوتا ہے۔اشعار کی تعداد کم ازکم پانچ سے سات ہونی چاہیے۔غزل کے پہلے...

الشعر العربی واثره علی الشعر البشتوي

This article is about the poetry of Arabs and its impacts on Pashto poetry. The poetry of Arab is famous in all over the world. In this article the Arabic poetry and its kinds has been explained. Before Islam, the Arab poetry was very prominent. Arabic poetry has many ’ASN└F (aspects) such as Ghazal/Nas┘b (love poetry), ╓am┐sa (War poetry), Fakhar (Pride) Rasa’ (poems on death), Mad╒a (praise), ╓ikmat and philosophy, ║habi‘at (nature) and hija’ (poetry against someone). Arab poetry contain on five literary period and also evaluate the Sab‘a Mu‘alq┐t and his writers: (1) the most prominent Poets of Jahel┘ period were ’Amr’ ul Qais, ╓aris bin ╓ilza, ‘amar bin kals┴m, ‘Ata bin shid┐d, ║urfa, Al Nabigha, Al Aghsha. In this article explained the Pashto poetry and its periods (1) ‘Aamir kar┴r period), (2) Khushal Khan Khattak period which called the Golden period of Pashto poetry, (4) modern period. Arabic poetry has a great impacts on Pashto poetry. Arabic poetry has impacts on Pashto Ghazal, Nazam, Marsiya, Mad╒a, philosophy and nature.

پاکستانی ناولوں کا ہیئتی، اسلوبیاتی اور ماجرائی مطالعہ 1947: تا 200

0 Present study comprises of following six chapters. First chapter consists of basic study of 'Form, style of novel and MAJRA'. It has been strived to define form, style and MAJRA. This is a foundation stone of present thesis. It determines a specific direction of the light of researchers' opinions. The topic of second chapter is 'Tradition of Urdu Novel in Pre-Partition Era — A Background Study'. In this chapter a number of novels from beginning to partition have been studied in the perspective of form, style and MAJRA. Furthermore, impacts of different literary movements on Urdu novels have also been analyzed. In the third chapter, analytical study of various novels from establishment of Pakistan to 1960 has been presented. Post-partition phase gave birth to circumstances of political upheaval and riots which stirred ideological and structural experiments in Urdu novel. Some renowned novels have been studied generally and 'ESE BULANDEE ESE PASTEE', `NAGRE NAGRE PHERA MUSAFIR', `KHUDA KE BASTE', `KHOON-E-JIGR HONE TAK' AND `AAG KA DAREA' have been specially studied on the basis of form, style and MAJRA. Fourth chapter consists of different novels written from 1960 to 1980. Partition, riots, political disturbance, large scale migration and martial law shattered foundations of entire society. Likewise social and cultural problems also metamorphosed. With the advent of these radical changes, literature as a delicate genre also changed along with bent of mind. These social changes personified in novel in new style, form and plot, thus, a number of novels have been studied specially focusing on form, style and MAJRA. In fifth chapter, selected novels from 1980 to 2000 have been critically analyzed. This era revealed Decca Falls, sectarian conflicts, linguistic and ethnic biases, advancement of media, bloodshed, frustration in youth, deterioration of peace and tranquility, political crises, mutilation of values and such other issues as well as bitter realities of life. All above mentioned facts are evident in topic, form, style and MAJRA. All these features have been studied and analyzed minutely in this chapter. Presently study is concerned with significant novels of 1980s like 'BASTE', `JANAM KUDNLE', `DEWAR KE PEECHE' and `KHUSHEO KA BAGH'. Sixth chapter presents overall analysis of selected novels ranging from partition to 2000 with perspective of form, style and MAJRA. Moreover, logical conclusions and recommendations have been presented.