ضبط نے وحشتوں کو باندھا ہے
یعنی پھر آنسوئوں کو باندھا ہے
کس نے سب زندگی کی کڑیوں میں
درد کے سلسلوں کو باندھا ہے
تیرے باعث ہی دیکھ غزلوں میں
درد کے قافیوں کو باندھا ہے
یوں ہی روشن نہیں ہے دل اس میں
آس کے جگنوئوں کو باندھا ہے
درد نے ساز پھر سے چھیڑے ہیں
ہم نے بھی گھنگھروئوں کو باندھا ہے
دل کی باتیں سمجھ نہ پائے تم
ہم نے کب فلسفوں کو باندھا ہے
تیری زلفوں کی ڈور سے ہم نے
اپنے سب رتجگوں کو باندھا ہے
Kashmir became a part of the Muslim World in the 14th century C E. Under the local Sultans (1325-1585) , the Mughals (1586-1752) and the Pathans (1752-1819) , it developed into a state and society with its own peculiar Islamic culture. Kashmir was colonised by the Sikhs (1819-46) from the Punjab and the Hindu Dogra Maharajas (1846-1947) . The Muslim Kashmir stood for Islam through the freedom movement during this period. When the movement under the banner of Islam was at its apex and it seemed that the mahkutn (colonised / enslaved) Kashmir was about to achieve the goal, India ( Bharat) , a newly born nation (Aug 15, 1947) , invaded it on Oct. 27, almost 3 months after her own birth. Since then this newly emerging occupying -power through its policies of political deceit, cultural aggression, economic onslaught and delslamizing educational schemes has given rise to the problem of the IOK (Indian Occupied Kashmir) . The paper narrates the story of the past up to 1988-uprising & throws light on the oppression, persecution and discrimination that the Muslim Kashmir has been witnessing. The form offreedom-movement that followed from 1947 to 1989 is also outlined. In 1989 Jihad Kashmir, a new phase of the movement that invited the attention of the world begins. The paper helps to understand the background ofthe genesis ofthis new phase
0 Present study comprises of following six chapters. First chapter consists of basic study of 'Form, style of novel and MAJRA'. It has been strived to define form, style and MAJRA. This is a foundation stone of present thesis. It determines a specific direction of the light of researchers' opinions. The topic of second chapter is 'Tradition of Urdu Novel in Pre-Partition Era — A Background Study'. In this chapter a number of novels from beginning to partition have been studied in the perspective of form, style and MAJRA. Furthermore, impacts of different literary movements on Urdu novels have also been analyzed. In the third chapter, analytical study of various novels from establishment of Pakistan to 1960 has been presented. Post-partition phase gave birth to circumstances of political upheaval and riots which stirred ideological and structural experiments in Urdu novel. Some renowned novels have been studied generally and 'ESE BULANDEE ESE PASTEE', `NAGRE NAGRE PHERA MUSAFIR', `KHUDA KE BASTE', `KHOON-E-JIGR HONE TAK' AND `AAG KA DAREA' have been specially studied on the basis of form, style and MAJRA. Fourth chapter consists of different novels written from 1960 to 1980. Partition, riots, political disturbance, large scale migration and martial law shattered foundations of entire society. Likewise social and cultural problems also metamorphosed. With the advent of these radical changes, literature as a delicate genre also changed along with bent of mind. These social changes personified in novel in new style, form and plot, thus, a number of novels have been studied specially focusing on form, style and MAJRA. In fifth chapter, selected novels from 1980 to 2000 have been critically analyzed. This era revealed Decca Falls, sectarian conflicts, linguistic and ethnic biases, advancement of media, bloodshed, frustration in youth, deterioration of peace and tranquility, political crises, mutilation of values and such other issues as well as bitter realities of life. All above mentioned facts are evident in topic, form, style and MAJRA. All these features have been studied and analyzed minutely in this chapter. Presently study is concerned with significant novels of 1980s like 'BASTE', `JANAM KUDNLE', `DEWAR KE PEECHE' and `KHUSHEO KA BAGH'. Sixth chapter presents overall analysis of selected novels ranging from partition to 2000 with perspective of form, style and MAJRA. Moreover, logical conclusions and recommendations have been presented.