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Use of Fractional Solutions to Helhmoltzs Equation to Study Radiation and Scattering from Cylindrical Object Buried under a Dielectric Slab

Thesis Info

Author

Sidra Batool

Department

Department of Electronics, QAU

Program

Mphil

Institute

Quaid-i-Azam University

Institute Type

Public

City

Islamabad

Province

Islamabad

Country

Pakistan

Thesis Completing Year

2017

Thesis Completion Status

Completed

Page

vii, 45

Subject

Electronics

Language

English

Other

Call No: Diss / M. Phil / ELE / 320

Added

2021-02-17 19:49:13

Modified

2023-02-19 12:33:56

ARI ID

1676718841286

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سرمنڈل کا راجہ

سرمنڈل کاراجہ

                سرمنڈل کا راجہ ناطق کی نظموں کا تیسرا مجموعہ ہے۔اس کتاب کو پڑھنے کے بعد قاری کے دل میں جو تاثر رہ جاتا ہے وہ کچھ ایسا ہے کہ جب وہ اپنی ایک نظم کے بعد دوسری نظم لکھتے ہیں تو گویا ایک منزل پالی اور دوسری منزل کی طرف گامزن ہوجاتے ہیں۔ایسا محسوس ہوتا ہے کہ وہ کوئی فتح حاصل کرنا چاہتے ہیں ایک ایسا قلعہ ایک ایسا پہاڑ سر کر لینا چاہتے ہیں جس کی بلندی تک پہنچتے پہنچتے خود ناطق راستے میں آنے والی ہر مشکل کو بھی جیسے خوش دلی سے سراہ رہے ہوں۔ سرمنڈل کا راجہ میں وہ دیسی رنگ ڈھنگ کا اظہار کرتے ہوئے نظر آتے ہیں۔نظمیں پڑھتے ہوئے قاری کو  پنجاب کی مٹی کی سوندھی سوندھی خوشبو بھی محسوس ہوتی ہے۔یقین سے باہر لگتی ہے یہ بات کہ ایک شاعر نے پنجاب کا ایسا رنگ تخلیق کیا ہے۔اس پر زیف شاہ اظہار خیال کرتے ہوئے لکھتے ہیں :

’’ناطق کی نظم کا بیج مٹی میں ضرور ہوتا ہے لیکن نظم اوپر اور اوپر اٹھتے اٹھتے جاودانی آسمانوں کی وسعتوں سے ہم آہنگ ہوکر آفاقی اسطورہ بن جاتی ہے جسے آپ غیر فانی اساطیر کے پہلو میں دیکھ سکتے ہیں۔‘ ‘(6)

                کتاب قاری پر ایک خوشگوار تاثر چھوڑ جاتی ہے۔پنجاب سے محبت اس کی مٹی کی خوشبو کے ساتھ ساتھ قاری خود کو پنجاب میں چلتا پھرتا محسوس کرتا ہے۔وہ کوئی فتح حاصل کرنا چاہتے ہیں۔ اس کتاب کے پڑھنے پر قاری کے دل و دماغ میں یہ بات نقش ہو جاتی ہے۔

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This study aims to prove that the Parenthetical Sentences in the Quran are not a way to improve the beauty of literature, but if they appeared in a convenient location they became the requirements of the text. The main findings of this study include the parenthetical sentences in the Holy Quran characterized by specific semantics which is known by the context of Ayat and not only because of assertion, embellishment or clarification. These sentences would inspire the attention from the reciter of Quran to think of the underlying meaning. The parenthetical sentences in Quran cannot be nullified as this will divert the true meaning of Ayat e Kareemas.

Stylistic Devices in Sylvia Plath: A Textual Analysis of 'The Bell Jar' and Selected Poems

Stylistic Devices in Sylvia Plath: A Textual Analysis of 'The Bell Jar' and Selected Poems This research is being conducted to investigate stylistic devices utilized to construct Sylvia Plath’s novel ‘The Bell Jar’ and selective poems from her early and later poetry. The researcher has mainly focused upon the textual analysis of her works. Sylvia Plath holds prominent stance as a post war American Poetess, her works are termed as confessional and slightly auto biographical, comprehensive details of her life are discussed in Chapter 1. Plath’s energy as a writer lies in her personal life experiences, most of her work is autobiographical therefore we are bound to review her personal life to analyze her works. She invested a lot of her energy into writing poetry but her only novel ‘The Bell Jar’ is a poignant prototype of a young women gradually seeping into the realm of mental breakdown. The whole book undergoes symbolism and cynicism in its many layers to unveil the harsh reality of depression and realization of social inequality. Sylvia Plath’s style of writing (in ‘The Bell Jar’) is very simplistic and easy to understand, but is also full of radiant detail..............Sylvia Plath has a pure voice that rings. She is witty. Her words have punch. She paces words well and she uses words well, precisely. A tale of a sane woman in an insane world, or is it anyway a great tale narrated with vivid imagery. The dark humor of the text is a counter to melancholy of the main character. (69:71) This simplistic style is transformed into complicated symbols and metaphors in her poetry. Sylvia Plath is a poet of decadence, death, misery, war, hunger, pain, suffering, angst, anger; passion, animism, and intense scorn are the key images of her works. Her style is also influenced by traditionalists. Her style is narrative and it usually has a first, second or third person narrators. Images of Death and Life for her poems are frequently inculcated in her works. Plath constantly uses metaphors or witty symbols for representation of her ideas. Plath’s works are marred with pessimism, deception, degradation and feministic retaliation towards the unjust hegemony of patriarchic society. Her work presents suffering and sickness for example ‘Cut’, ‘Fever 103 ̊’, ‘Plaster’ and ‘Tulips’. Even in the novel Esther is psychologically disturbed person on the verge of a breakdown, she even struggles to spend a normal healthy life. Though Plath’s works are termed as subjective projections of her own troubled neurotic self, still, her work holds universality of human emotions a feeling experienced by the oppressed classes or gender. The researcher concluded that “The Bell Jar” is a ground basis for her poetry there are many poems which bears references from the novel they will be mentioned in this paper.