چاک دامان لیے، چاک گریبان لیے
محفلِ قیس میں پہنچے ہیں یہ سامان لیے
آئے تھے دنیا میں ارمانوں کو پورا کرنے
جائیں گے یاں سے مگر لاکھوں ہی ارمان لیے
لوگ کہتے ہیں جو دیوانہ ہمیں، کہنے دو!
ہم بھی نازاں ہیں کہ زندہ ہیں یہ پہچان لیے
جب کسی سے بھی مرے درد کا درماں نہ ہوا
آ گئی موت مرے درد کا درمان لیے
موسمِ گل ہو خزاں ہو، کہ بہاریں تائبؔ
اپنی تو ذات میں ہم پھرتے ہیں زندان لیے
To maintain and enhance social peace and mutual interaction among people it is mandatory to resolve their mutual conflicts. The eradication of mutual conflicts and working for reconciliation is obligatory on the Muslims. Al-mighty Allah has declared reconciliation and resolution of conflicts among all the Muslims as legitimate action. There are numerous verses of the Holy Quran and Hadith of the Prophet where Muslims have been ordered for reconciliation aiming to promote brotherhood and peace in society. The main rationale behind this is to bring harmony and peace in the social order of life. What are the pre-requisites of reconciliation from Sharia’s perspective, in which conflict reconciliation is permissible and in which cases it is not allowed. This study emphasizes to answer the above mentioned question. Furthermore, efforts have been made to provide a sharia’s foundation for those who are involved in the process of reconciliation in the form of Taḥkīm. This will not only encourage them, but will help in the maintenance of peace in the society. Similarly, a comparison will also be made between the merits and demerits of Pakhtūn’s traditional reconciliation process, and important suggestions will be made to make the Pakhtūn’s traditional reconciliation process more productive and valuable.
Urdu Short story undergone many thematic and stylistic changes through its evolution decade by decade in the
20th century. In the first three or four decades narrative style of short story writing was much popular style
because it was much suitable for the topics associated with realism. In Pakistan era, soon after independence
narrative style of writing gradually changed and influence of modern movements in other arts and literature and
techniques associated with these movements increased on Urdu short story. In 60s a movement in Urdu Nazm
emerged generally called Nai Nazm (the new poem). The movement was initiated basically for poetic genres
especially free verse. The movement was of the opinion that the old phrases and set grammatical structures are
not sufficient to convey the complexity of the mind of modern man. So these structures should be broken and
new and fresh patterns should be introduced. This changed the new poetry with regard to its content as well as
its style. These changes in Nai Nazm influence other genres of literature especially the modern short story.
This thesis critically analysis these changes. The thesis consists of five chapters and starting from the start of 20th
century, when the Urdu short story was introduced in Urdu literature and influenced by contemporary literary
movements, it presents a thorough study of Urdu short story before partition. In the next chapters emerging of
the movement of Nai Nazm, its salient features are discussed. In the next chapters influence of this movement on
modern literature is analyzed. In the final chapter works of selected short story writers are critically discussed in
the context of influence of Nai Nazm movement.