حدود میں تخفیف کے مواقع
مندرجہ ذیل چند اہم پہلوؤں کی نشان دہی کی جا رہی ہے، جن کی بناء پر حدود (عقوبات) میں معافی یا تخفیف کی گنجائش ملتی ہے:
1۔ اگر شریعت کا کوئی دوسرا اصول کسی خاص مجرم پر سزا کے نفاذ میں مانع ہو تو اسے سزا سے مستثنیٰ قرار دیا جائے گایا اس کے لیے متبادل سزا تجویز کی جائے گی ، جیسا کہ رسول اللہﷺ کے فیصلوں سے ثابت ہے۔ حضرت نعیم بن مسعود اشجعی (م:36ھ)سے روایت ہے ، جب بنو حنیفہ کے مدعی نبوت مسیلمہ کے دو قاصد اس کا خط لے کر رسول اللہ ﷺ کی خدمت میں حاضر ہوئے تو آپ ﷺنے ان سے پوچھا کہ کیا وہ مسیلمہ کی نبوت پر ایما ن رکھتے ہیں ؟ انہوں نے اثبات میں جواب دیا تو رسول اللہ نے ارشاد فرمایا
" لو لا أن الرسل لا تقتل لضربت أعناقكما۔"49
" اگر قاصدوں کو قتل نہ کرنے کی روایت ہوتی تو میں تم دونوں کی گردن مار دیتا۔ "
اس کا مطلب یہ تھا کہ اگرچہ ارتداد کی وجہ سے وہ دونوں قاصد قتل کے مستحق ہو چکے تھے ، لیکن قاصدوں اور سفیروں کے احترام اور ان کی حفاظت کا ایک دوسرا اخلاقی اصول اس پر عمل کرنے میں مانع تھا اور آپ نے اسی کا لحاظ کرتے ہوئے انہیں بحفاظت واپس جانے دیا ۔ آپ ﷺنے اسی اصول پر یہ ہدایت کی کہ اگر باپ اپنے بیٹے کو قتل کردے تو اسے قصاص میں قتل نہ کیا جائے۔ حضرت سراقہ بن مالک (م:24ھ)سے روایت ہے
" رسول الله ﷺ يقيد الأب من ابنه ولا يقيد الابن من أبيه۔"50
" رسول اللہﷺ باپ پر بیٹے کے قتل میں قصاص نہیں دلوایا کرتے تھے جب کہ بیٹے سے باپ کے قتل میں قصاص دلواتے تھے۔ "
2۔ سزا...
Imran Iqbal's name is prominent in Urdu fiction. He is from Bahawalpur but he is residing in the United States for employment. Imran Iqbal tried his hand at travelogues, fiction, novels and memoirs. He has made women and her issues the subject of his fictions. Imran Iqbal has presented a true picture of a woman who at every step faces various forms of male repressive behavior, outdated customs, husband and father-in-law atrocities, domestic violence and sexual harassment. Her fiction depicts women's psychological problems, the sexual appetites of landlords, capitalists, bureaucrats and top officials. Imran Iqbal has awakened Tanila consciousness through his pen.
Fiction is a well-known genre of urdu literature. For urdu prose writers, fiction has been a potent means of expression both quantitatively and qualitatively. Fiction was on its highest during the Second World War in the sub-continent. During these forty years, till independence fiction along with technical experimentations experienced a variety in its subject matters as well. Fiction writers showed mental maturity and adherence with ideology and before independence fiction writing exhibited a maturity in which the complicated social realities were presented in a highest aesthetic form. Beside other subjects, in view of western cultural dominance Urdu fiction writing had an inclination of showing the local culture and civilization . Along with ground realities, the social and cultural aspects were given vend in fiction, especially by the Pakistani fiction writers, which resulted in the formation of a new nation in the new homeland and the mutual interaction among its different units. For the presentation of indigenous culture in getting out of the dominance of the western, all the creative struggles of 69 years resulted in such a scenario where the culture and civilization of the sub-continent become visible with all its vibrancy in aesthetic beauties. Pakhtoon cultures have five to six thousand old histories. The inhabitant of this area and the Pashto language itself have a very great diffusion ability , which in spite of all geographical odds and population variability have sustained its identity. Before the advent of Islam, The culture that progressed at the juncture of central eastern and south Asia kept its unity on the basis of values like bravery, courage and hospitality. The Pakistani aspect of Pakhtoon culture and civilization is very attractive and grand, where one the one hand this cultural unit contributed a lot in the creation of the new homeland, while on the other hand the brave spirits of it contributed to the treasure of Arts and literature. in Urdu fiction, the depiction of Pakhtoon culture and civilization can be found in the United India as well, but in the fiction after independence the presentation of Pakhtoon culture and civilization is not only been done by the Pakhtoon literariness but the non Pakhtoon writers have also expressed about it in their writings. The study of Pakhtoon culture and civilization in Urdu fiction is not mere adding titles limited to the purpose of telling something about the Pakhtoon civilization, but is a part of the general hypothesis that literature gives expression to the mutual interaction of the civilization of different nations and how this interaction have the power to affect their coexistence. For degree research before this, the study of Urdu fiction has been related to different subject elements. Nevertheless, this proposed research relating Pakistani literature to Pakistani society is a unique study of its type in the field of social and anthropological studies. Besides, cultural mixed up and challenge of universalism is sufficient grounds for the justification of this study. The fiction writings include in this Research thesis contains the cultural aspects of life in Khyber Pakhtoon Khwa these stories gives a mixed expression of passions which have innocence as well as violence , love with hate and revenge. Rules and regulations as well as a mindful eye for the environment and socio cultural values as well. The chained enmities of the social life, spirit of revenge , superstition , ethical values , living old traditions and finally all the manifestations of the pakhtoon society a visible in these fiction stories.