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Home > Translation As Colonial Discourse: A Critique of the English Tranlation of Urdu Classic Bagho Bahar

Translation As Colonial Discourse: A Critique of the English Tranlation of Urdu Classic Bagho Bahar

Thesis Info

Access Option

External Link

Author

Ghulam Ali

Program

PhD

Institute

University of Azad Jammu & Kashmir

City

Muzaffarabad

Province

AJK

Country

Pakistan

Thesis Completing Year

2015

Thesis Completion Status

Completed

Subject

Languages & Literature

Language

English

Link

http://prr.hec.gov.pk/jspui/bitstream/123456789/12706/1/ghulam%20ali%20UAJK.pdf

Added

2021-02-17 19:49:13

Modified

2024-03-24 20:25:49

ARI ID

1676725153563

Similar


Translation is not a neutral activity but it is a constructive tool that brings new realities into being. This ideologically preoccupied activity has been called for facilitating the colonial operations in the colonies. It has also been deployed by the colonial entrepreneurs to obtain linguistic and anthropological information of the indigenous population of colonized India in nineteenth century. Translation, in colonial context, creates and maintains power relations between the British colonizer and the colonized Indian culture by deploying various discursive strategies. Situated in this perspective, the English translations of Urdu classic Bagh-o-Bahar appear as a rewriting and discursive representation of the Indian colonized culture and the ontological position of the British translators, the purpose of the translation, and the ideological constraints initiated by the target readers influence this rewriting and representation. This study aims at understanding the processes of rewriting and representation of subordinate culture in discourses constructed by the imperial powers and exploring the ways the socio-political context and the ideological constraints of the translator are reflected in the translated texts, investigating the instrumental and ideological role of translated text in colonial situation. It also traces the role of translator (how) in rewriting, and attempts to demystify and decipher the discursive strategies employed by the translators for creating, maintaining and sustaining the power relations between the source culture and target culture.
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احسن مارہروی

احسنؔ مارہروی
احسنؔ مرحوم اردو کے کہنہ مشق شاعر اور قواعد زبان کے بڑے عالم تھے۔ حضرت داغؔ دہلوی سے تلمذ رکھتے تھے۔ یہی وجہ ہے کہ احسنؔ کے کلام میں بھی فصاحت وبلاغت اوریجنلٹی اورروانی داغؔ کے رنگ کی پائی جاتی ہے۔مرحوم کا اصل وطن مارہرہ تھا۔ کئی سال تک مسلم یونیورسٹی علی گڑھ میں اردو کے لیکچرر رہے۔۱۸۹۶ء میں’’ریاض سخن‘‘کے نام سے ایک گلدستۂ اشعارجاری کیا۔ پھر لاہور سے غالباً استادداغؔ کی یادگار میں’’فصیح الملک‘‘نام کا ایک ماہنامہ نکالا۔نثر میں اُن کی تصنیف’’تاریخ نثراردو‘‘بہت مشہور ہے۔اس کے علاوہ ولیؔ دکنی کے ضخیم دیوان کی تصحیح وترتیب بڑی محنت وجانفشانی سے کی اور داغؔ مرحوم کے غیر مطبوعہ کلام کومرتب کرکے’’یادگار داغ‘‘کے نام سے شائع کیا۔موصوف شاعری کے علاوہ صورۃً وسیرۃً بھی طرزقدیم کے بزرگ تھے۔حق تعالیٰ انہیں جواررحمت میں ابرار وصلحاء کامقام عطافرمائے۔آمین [اکتوبر۱۹۴۰ء]

 

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