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Home > The Key Stakeholders Perceptions of Punishment and Their Effects on Classroom Culture

The Key Stakeholders Perceptions of Punishment and Their Effects on Classroom Culture

Thesis Info

Author

Shoo, Richard

Department

Institute for Educational Development, Karachi

Program

MEd

Institute

Aga Khan University

Institute Type

Private

City

Karachi

Province

Sindh

Country

Pakistan

Thesis Completing Year

1999

Thesis Completion Status

Completed

Subject

Education

Language

English

Added

2021-02-17 19:49:13

Modified

2024-03-24 20:25:49

ARI ID

1676727996640

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This study is about the key stakeholders' perceptions of punishment and their effect on classroom culture intended to answer among other questions, the notion and rationale for using or not using punishment in the class. It was further proposed to look into how teachers can confer with other stakeholders of the school, including students, through their perceptions about punishment to understand the effects of punishment and explore the possible alternatives to it. The study was conducted in a community owned school in Karachi, where six students of class eight and their four teachers were involved as participants. In addition to these, one principal and three vice principals of the three sections of the school were also taken as participants. To shuffle the cards well, six parents and one board member of the school were also interviewed. The study revealed that, in the technical sense of what punishment would mean, it is not fair to deny completely the use of punishment in schools as a technique to adjust students' misbehavior. The terms misbehavior', discipline' and punishment' have been a common language in schools and that they can be explained together as if one influences the other. Some stakeholders looked into punishment as those actions involving physical situations only and they were not able to assess precisely psychological punishment. Nevertheless their perceptions indicated that there are some vivid examples showing that teachers can organize classes without tension of punishment, and though punishment may work, it should not be suggested to be used. In addition, although most teachers from the sample admitted how they remained skeptical about the use of punishment in the classroom, yet they could not do without it as punishment remained part of the hidden curriculum. At some point, some stakeholders suggested the word punishment' to be replaced, although meaning continuing practice. Some administrators also expressed their concern about the negative effects of punishment in schools. However, they accepted the continuance of some practices, and felt that particular modes of punishment might help in behavior management. Students on the other hand expressed their feelings that, as social beings who also wanted to belong, they needed encouragement, cooperation and firm control in a democratic alliance of parents, teachers and themselves. Students demanded for more democratic classrooms. Students should be able to face the reality of life from their time in school, as they will also be liable to go wrong in
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پاکستانی رقص ،ڈونلڈ ٹرمپ اور مرشد یوسفی

پاکستانی رقص ،ڈونلڈ ٹرمپ اور مرشد یوسفی

 میں نے دکتور محمود سے کہا کہ پاکستان میں مختلف زبانوں اور رسم و رواج کے لوگ آباد ہیں ۔اس لیے وہاں ایک نہیں بلکہ کئی طرح کے رقص ملتے ہیں ۔پنجاب میں بھنگڑا ،لڈی ،سمی اور گدا وغیرہ شا مل ہیں۔ اسی طرح بلوچی چاپ ،جھومر اور لیوا رقص کرتے ہیں۔سندھی تہذیب میں دھمال اور ہو جمالو کا بہت زیادہ رواج ہے چونکہ سندھ صوفیا کی سر زمین ہے اس لیے ان کے مزاروں پر دھمال ڈالی جاتی ہے ۔جس میں وجد کی حالت میں مدھم سروں پر رقص کیا جا تا ہے ۔اس طرح پختونخواہ میں اتن خٹک اور چترالی و گلگتی رقص کو رواج ہے ۔خٹک رقص تلواروں کے ساتھ کیا جاتا ہے ۔ دکتور محمود نے کہا عرب میں بھی تلواروں کے ساتھ رقص کیا جاتا ہے ۔میں نے کہاجی بالکل میں نے سعودی شاہ سلمان کے ساتھ امریکی صدر ڈونلڈ ٹرمپ کو یہ رقص کرتے دیکھا ہے ۔اس پر دکتور محمود نے خوب قہقہہ لگایا کہنے لگے اس میں ٹرمپ وہی لگ رہے تھے جس کا ذکر آپ کے مرشد یوسفی نے لغت میں دیکھا تھا۔

میں نے دکتور محمود کو مخاطب کیا کہ آپ کو معلوم ہے پاکستان کے شمال میں کیلاش قوم آباد ہے جو بالکل منفرد تہذیب اور الگ تھلگ بود باش کے لوگ ہیں ۔ان کی خواتین خوبصورت زرق برق لباس زیب تن کیے سروں پر خوبصورت مالا پروئے ٹوپیاں پہنے ، کندھے سے کندھا ملائے ڈھول کی تھاپ کے ساتھ مدھم انداز میں ٹواینڈ فرو موشن میں رقص کرتے ہیں ، مگر حیرت کی بات یہ ہے کہ جب یہ لوگ اپنے مردے دفناتے ہیں تب اس رقص کا خوب اہتمام کیا جاتا ہے ۔اس نے حیرت سے پوچھا کہ تدفین کے وقت...

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