المبحث الأول: فصول السنة والمشاعر
قصیدة )کآبة الفصول الأربعة (لنازک الملائكة [1]
نحن نحیا في عالم کلّہ دم
عٌ وعمرٌ یفیض[2] یأساً وحزناً
تتشفی[3] عناصر الزمن القا
سي بأھاتنا وتسخر منّا
في غموض الحیاۃ نسرب[4] کالأ ش
باح بین البکاء والآھاتِ
کلّ یومٍ طفلٌ جدیدٌ ومیتٌ
ودموعٌ تبکي علی المأساۃ
ثم ماذا؟ في أيّ عالمنا المح
زن نلقٰی العزاء[5] عمّا نقاسي؟
عند وجہ الطبیعۃ الجھم [6] أم عن
د فؤاد الزمان وھو القاسي
قد عبرنا نھر الحیاۃِ حیارَی
في ظلام الفصول والسنوات
وثبتنا علیٰ أسانا خریفاً
وربیعاً فما جمالُ الحیاۃ؟
طالما مرّ بي الخریفُ فأصغي
تُ لصوتِ القمریّۃ[7] المحزونِ
وأنا في سکون غرفتي الدج
یاء أرنو[8] إلی وجوم[9] الغصون
طالما في الخریفِ سرت الی الحق
ل وأمعنتُ في وجومي[10] وحزني
کیف لا والکآبۃُ المرّۃ الخر
ساءُ قد رفرفتُ علی کلّ غصن
والحمامُ الجمیلُ قد ھَجَر الاّع
شاش سأمان [11]من وجوم السھوب
State-Civil Society relations in Pakistan have seldom been far from problematic and when it comes to Civil Society Organizations (CSOs) working for women empowerment and gender equality the relations with the state become highly adverse. According to several researches gender insensitivity is often an important characteristic of fragile states. In this context, this paper seeks to explore the role of CSOs working for women empowerment in the history of Pakistan and their relationship with the state of Pakistan. It also tends to assess whether an improvement in this relationship can possibly help to diminish the fragility of the Pakistani state. The paper is based on qualitative research with an analytical approach and has been completed with the help of interviews with relevant persons and overview of related material in print and on line.
Ernest Hemingway''s Santiago in The Old Man and the Sea is an extraverted individual who is rarely ever home; he is usually out there in the sea. On the other hand, he lives a lonely life and is secluded from the people around him. He thinks of himself as a champion angler who, despite his old age, can catch big fish. He dreams of his past glory and hopes that once again he will be what he was in his youth. His desire to be the champion angler once again blinds him to his old age. Lonely and alone, Manolin, Santiago''s apprentice-boy believes in him and in his dream. He is the only companion that he has both in the sea and on the land. Santiago thinks the world of himself in being the ''champion angler'' which he was in his youth. The long dry spell of not being able to catch fish has made him sceptical and has earned him the title, ''salao,'' from his peers. In addition to repeating his past feats, he wants to prove to his people that he is more than what they think of him. While his strict adherence to the old and traditional ways to catch fish shows his love and attachment with the sea and fishing, it also shows how he has failed to stay in touch with time. Thus his personality is lopsided, which prevents him from partaking in the mainstream life; hence being marginalized and ostracized. He will continue to face such problems until he compromises a sense of himself between what he thinks he is and what the world around him thinks of him: he has to re-connect with his unconscious as Jung would say.