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The Teaching of Stylistics at The Post-Graduate Level in Pakistan Universities

Thesis Info

Author

Rubina Rasool

Department

Department of English

Program

PhD

Institute

National University of Modern Languages

Institute Type

Public

City

Islamabad

Province

Islamabad

Country

Pakistan

Thesis Completing Year

2002

Subject

English Language

Language

English

Added

2021-02-17 19:49:13

Modified

2024-03-24 20:25:49

ARI ID

1676728687009

Similar


The Teaching of Stylistics at The Post-Graduate Level in Pakistan Universities Stylistics as an offshoot of both literature and language is a comparatively new subject. As such it has strong links with the disciplines, both of literature and language and it also serves to unite the two, through its very existence. As a subject it has so far been kept in the background and it is necessary to highlight its importance and bring it to the forefront; The present study seeks to attempt this by bringing to light the various institutions in Pakistan where Stylistics is being taught and through a comparative analysis to highlight the problems encountered by students/teachers of Stylistics and in so doing to recommend alternatives.
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تانیثیت
تانیثیت کا تعلق براہِ راست عورت اور اس کے حقوق سے ہے۔تانیثی تحریک کا بنیادی مقصد عورتوں کو مردوں کے برابرسیاسی ، سماجی ، معاشرتی، معاشی اور قانونی برابری دینا۔ تانیثی تحریک عورتوں کے لیے انصاف کی طالب ہے ، معاشرے میں رائج مختلف امتیازات کے خاتمے کا اعلان کرتی ہے۔اردو افسانے میں نمائندہ خواتین افسانہ نگاروں کے ہاں تانیثی ر جحان دیکھنے کو ملتا ہے۔ جہاں عورتیں سماجی، معاشی ، سیاسی، معاشرتی اور علاقائی مسائل پر قلم اٹھا رہی ہیں اس کے ساتھ ساتھ عورتوں کے ساتھ پیش آنے والے مسائل کو بھی قلم بند کر رہی ہیں۔اس ضمن میں غور کریں تو ذکیہ مشہدی ایک معتبر نام ہے۔ انہوں نے عورتوں کی زندگی کو بڑی فنکاری سے پیش کیا۔ان کو افسانہ’’تھکے پاؤں‘‘اور’’حصار‘‘تانیثی پہلو سے ان کے بہترین افسانے ہیں۔نسائی زندگی کو بیان کرنے والی ایک اور اہم افسانہ نگار ترنم ریاض بھی ہیں۔ترنم ریاض کی عورت مشرقی تہذیب کی نمائندگی بھی کرتی ہے اور بغاوت کا جذبہ بھی رکھتی ہے۔ ان کا افسانہ’’ ہم تو ڈوبے صنم‘‘ اسی قسم کا افسانہ ہے۔ ا س کے علاوہ نگار عظیم،شائستہ فخری،غزالہ ضیغم اور دیگر افسانہ نگاروں نے عورتوں کے حوالے سے اپنے خیال کو جس طرح تخلیق کی شکل میں ابھارا ہے اس میں ہندوستانی عورت کے تمام حالات اجاگر ہوتے ہیں۔
جنسیت
انگارے کے مصنفین نے پہلی بار سماجی مسائل کو مغربی زاویۂ نگاہ سے دیکھا۔انہوں نے ادب اور سماج کے بندھے ٹکے اصول واقدار سے انحراف کرتے ہوئے جنسی بھوک،ذہنی پریشانیوں نفسیاتی الجھنوں کو شعورکے پردے میں اجاگر کیا۔انہوں نے سماجی لبادہ اوڑھے چہروں کو بے نقاب کیا اور ان کی گھناؤنی ذہنیت کو اپنے افسانوں میں پیش کیا ہے۔اس سلسلے میں سجاد ظہیر کا افسانہ ’’دالری‘‘ اور احمد علی کا افسانہ’’بادل نہیں آتے‘‘ پیش کیے جا سکتے ہیں۔ رشید جہاں اردو کی...

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