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Home > Similarity Between Rembrandt and Hardy: Chiaroscuro and Fate/Nature Vs. Human Struggle

Similarity Between Rembrandt and Hardy: Chiaroscuro and Fate/Nature Vs. Human Struggle

Thesis Info

Author

Rukhsana Saeed

Department

Department of English

Program

Mphil

Institute

National University of Modern Languages

Institute Type

Public

City

Islamabad

Province

Islamabad

Country

Pakistan

Thesis Completing Year

2011

Subject

English Language

Language

English

Added

2021-02-17 19:49:13

Modified

2024-03-24 20:25:49

ARI ID

1676728712017

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Similarity Between Rembrandt and Hardy: Chiaroscuro and Fate/Nature Vs. Human Struggle The aim of this study is to add a new dimension to critical approach towards the works of both art and literature. It will help broaden the spectrum of the critical appreciation of the creative works in both art and literature. Presently we all admire and analyze the creative works of art and literature, but consider them as separate entities. Whereas the basic difference between the works of art and literature is only the difference of medium that is., lines, shapes colours and words. The forces that work behind every creative work are the same like the desire to express, communicate, appreciate and being appreciated. The source of information and inspiration is also the same; it is the world around us. So while commenting on the writer of a specific school of thought, the artists, musicians, architects and even the designers of the same school of thought should also be considered. This Research is carried out in three phases. In phase-I, the views of writers, critics, historians and scholars, who in any way have contributed to the fields of intertextuality and interdisciplinary studies are discussed. These included; D.H. Lawrance, Harold Bloom, Mark Staff Brandl, William Hazlitt and Annie Escuret. In phase II Rembrandt's use of chiaroscuro and Hardy's use of fate/nature vs. human struggle in particular are considered. The photographs of Rembrandt's paintings' etchings and drawings are studied, discussed and analyzed. The characters in Hardy's novels are also studied discussed and analyzed with reference to their respective background. Hardy's philosophy of life is also considered. In phase III, the final analysis is carried out by comparing both the contrasts presented by Rembrandt and Hardy in their creative works. We do expose our literature and art students to different schools of thought, artists and writers; but the knowledge which we expose them to, is fragmentary and isolated. Instead of a congenial whole, different pieces of information float in their minds like small detached entities. That is why our majority students lack the ability to extend their personal and critical ideas about an issue or a fact. A comprehensive, comparative and integrated study; which involves different fields of knowledge, will help develop a mature critical thinking in our students. It will lead them to a better understanding of life and the world around them.
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53. An-Najm/The Star

53. An-Najm/The Star

I/We begin by the Blessed Name of Allah

The Immensely Merciful to all, The Infinitely Compassionate to everyone.

53:01
a. By the star when it sets.

53:02
a. Your companion who has lived amongst you for forty years is neither strayed nor is he deluded,
53:03
a. nor does he speak out of his own personal desire with regard to what he recites to you of The Qur’an,
53:04
a. that which he conveys to you - The Qur’an - it is nothing but a Divine Revelation, being
revealed on to him.

53:05
a. Taught to him by the One of Awesome in Power,

53:06
a. Full of wisdom.
b. HE stood poised,

53:07
a. while HE was on the highest part of the horizon.

53:08
a. Then HE drew near and came close,

53:09
a. so much so that it was left only a space of the strings of two bows – facing each other, surrounding him in all directions - or even closer than that.
53:10
a. So HE revealed on to HIS Servant Muhammad whatever HE revealed.

53:11
a. The Prophet’s heart did not lie about what it saw.
b. He neither perceived it as an illusion nor was it a hallucination.
c. It was a reality.

53:12
a. Are you, then, going to argue with him what he saw?

53:13
a. And, certainly, he saw HIM yet again at another time, too,

53:14
a. by the Lote Tree of the Extremity,

53:15
a. close to which is the...

الفواعل الدرامية للصورة الفوتوغرافية في الفضاء الروائي - رواية "شتاء العائلة" للكاتب علي بدر أنموذجاً

الملخص: يقدم البحث رؤية نقدية بمنظار المقاربة الجمالية لأهم علامات التواصل الأيقوني –الصورة الفوتوغرافية، وبما تقدم من العرض عن مفهوم الصورة والكلمة بوصفهما وسط نسيجي مركب من العلامة الكلمية والصورية المتداخلة؛ لطبيعتهما السيميائية، وتداولها خطاباً يثري السرد ويغني الأحداث بتوجهه الدلالي، وبما تحمله الصورة من كفاءة وقوة بإيقاع النظام التواصلي، وما يكمن فيها من عناصر إفهاميه تمكّن من ادراك البعد المقصدي، وما لها من تأثير على القارئ وتوجيه لما فيه فائدة اجتماعية وإنسانية ونفسية، لذا فقد تمركزت محاور البحث على وصف الرسالة البصرية القائمة على اهم المحاور الكلاسيكة التي ابتدعها جاكبسون: المرسل (مبتدع النص)، المرسل اليه (المتلقي)، الرسالة (الصورة/ الكلمة)، والتركيز على اهم المرتكزات الثلاث (الصورة/ الكلمة) بوصفهما اشتغالا في المقاربة السيميولوجية، ضمن مجال البلاغة الرمزية ومدى تفوقهما في استحضار المعنى وقوفا عند الصورة الفوتوغرافية بالاعتماد على اهم أيقوناتها عبر بنية النص الصغرى والتي تجعلها اكثر استنطاقا بمهارة الفواعل الدرامية للصورة الفوتوغرافية عند تفكيك عناصرها واعادة تركيبها ضمن تكوينها الاوحد من اجل تقديم فعلا حركياً يضفي على الحكائية التوسع في السرد وتفاعلها مع بنية النص الكبرى، لذا يصبح القارئ امام شبكة متداخلة من مظاهر الحكي، فتشكل رؤية وبعداً فنياً يريد الكاتب إيصالها إليه بعدما اصبحت ظاهرة في نصه الروائي، لتختتم دراسة البحث حول اهم النتائج التي توصل إليها الباحث.

Exploring Mathematics Teachers’ Responses to Challenges in Teaching and Learning of Mathematics

The world of mathematics education is progressing rapidly with new knowledge being generated through advanced research. In order to make sense of the new mathematical discoveries and information in the field of mathematics education, conceptual understanding of mathematical concepts is very essential. Moreover, mathematics teaching and learning to promote students’ conceptual understanding in the context of Pakistan is considered challenging. Nevertheless teachers try to handle the emerging challenges while teaching for conceptual understanding. This study aimed to explore the challenges of mathematics classrooms and the strategies that mathematics teachers use to promote mathematical understanding in the middle school of a private Learning Resource High School in the context of Gilgit-Baltistan. In order to achieve the research purpose, a qualitative case study approach was used to carry out this study. The participants of this study were two mathematics teachers. The tools used for the purpose of data collection were: semi-structured interviews, classroom observations, post lesson discussions, document analysis and reflective journal maintained by the researcher. The interview data was audio-taped and transcribed. Further, the data was analyzed by coding and categorizing under various themes. The study revealed that during the teaching and learning of mathematics, teachers face certain types of challenges such as English language barrier, non-availability of teaching resources and their utilization, lack of classroom culture of exploration and issues in teaching of algebraic concepts. Similarly, the study also revealed that to overcome the emerging challenges, the teachers facilitate students with the help of contextual low-cost no-cost materials, contextualizing the mathematical concepts and through the involvement of the students. This study can help mathematics teachers and educators to design various types of activities to overcome the challenges.