فلسفہ نماز اور مکافات عمل

Prayer [al-Ṣalāh] is the second most important pillar of Islām. This is the ritual which is supposed to be offered by all the Muslims, who come of age and are sane, regardless of their status and wealth. Following the acceptance of Islām, offering Prayer is the foremost obligation of a Muslim, which is considered the prime manifestation and the testimony of his or her practical submission to Allāh and His religion, Islām. Faith in Allāh is the foundation of Islām, in the same way, Prayer is the practical foundation of Islām. Therefore, the Prophet (S. A. W) laid stress on the significance of Prayer, the most. Only those, who are steadfast in their Prayers and safeguard them are really aware of its importance, and only they can expect from Allāh to give them their reward, thus, they are the true believers. The importance and reality of Prayer can be understood only by that person who is well aware of this relation between man and Allāh and only he can feel its true spiritual pleasure. The effects of Prayer are prominently visible in the daily life of Muslims. The history of Prayer is as old as the religion itself. Its concept has been a part of all the religions, however, they have different ways to perform it. In this paper, the author explores the Islamic academic sources to ascertain the importance and the status of Prayer in Islām. Also, he explores its history, the tidings and remuneration of Prayer and of the rites and rituals belonging to it, e. G., Mosque, Āzān, Iqāmat, Rukū‘ (to bow down), Prostration, Maintenance of Ranks, etc.

Syntactic Deconstruction of Becketts Dramatic Texts: A Discourse Perspective

This study examines the dominant elements of Transitivity (Ideational meaning), and the lexical features of Samuel Beckett’s dramatic texts with special reference to Waiting for Godot, Endgame, Happy Days, All That Fall, and Krapp’s Last Tape. The significance of the linguistic features of these texts has also been explored. The study also attempts to investigate the conformity of linguistic interpretation with the Existential interpretations of Waiting for Godot. The analysis of data was conducted by using computational tools like UAMCT, MAT, SUAS and AntConc. However, UAMCT was used as the main tool and the rest of the tools were just used to ensure validity of results and to supplement some areas of analysis which were deficient in UAMCT. The study has found that Beckett’s dramatic texts have a considerable amount of Material processes going on in the world of the plays but these processes are less directed to a Goal and are even agentless too. The processes are also not spatially and temporally situated. The linguistic analysis reveals that his dramatic texts are a linguistic paradox; lexically simple but structurally complex. The linguistic features of Waiting for Godot establish certain themes like, ‘Alienation’, Directionlessnes’, ‘Ambivalence’, ‘Nothingness’, ‘Existence’, ‘Skepticism’, ‘Boredom’, and ‘Pessimism’. These themes conform to the Existential interpretations of Waiting for Godot. We find a linguistic spontaneity of Existential themes in the play. In a nutshell, Beckett has not narrated the predicament of Existence but made it happen linguistically in Waiting for Godot. The study finds that Endgame, Happy Days, All That Fall, and Krapp’s Last Tape also exhibit similar syntactic and lexical features as that of Waiting for Godot. It has also been found out, as a result of this study, that Waiting for Godotand the other four plays of Beckett (Endgame, Happy Days, All That Fall, and Krapp’s Last Tape) have communicative qualities of an extempore interactive oral text. Beckett’s plays also have some qualities of a narrative text. It is due to these qualities that the plays are able to make a mark on the minds of their readers. The present report consists of five chapters. Chapter 1 describes the scope and nature of the study by providing introduction to Beckett, Waiting for Godot and Existential context of Beckett. This chapter gives a detailed background of the problem, states the problem, aims of the study, research questions, significance, methodology and limitations of the study. Chapter 2 presents the survey of the related literature in the areas of SFL, application of linguistic theory to the study of literary text, application of computational tools to the study of literary and nonliterary texts. Chapter 3 encompasses the procedures and methods of data collection and analysis. Chapter 4 presents a detailed analysis and interpretation of the texts of Waiting for Godot, Endgame, Happy Days, All That Fall, and Krapp’s Last Tape. Finally, Chapter 5 summarizes the results produced through data analysis and interpretation in Chapter 4. Discussion, implications and conclusion of the results of the present study are also given in the same chapter.