موسم
موسم بنیادی طور پر خود نظر نہیں آتا لیکن یہ اپنی نشانیوں کی وجہ سے محسوس و معلوم ہوتا ہے۔ یہ وقت کے ساتھ ساتھ چلتے ہوئے، گردشِ ایام کی حدود و قیود کو خیالات اور اعمال احساسات کی نظریاتی تشکیل و ترکیب کا سبب بناتا رہتا ہے۔ یہ اسراری امکانات کے منکر ین سے چند سوالات رکھتا ہے ۔ پھر ثابت حیثیت کے زمان و مکان کی تشریح میں مہاجر پرندوں کی مثالیں سمو کر، اعتراضات کو جذبات میں تقسیم کر دیتا ہے۔ زمانی نظریات کو طبیعی فکر کے متوازی رکھتا ہے۔ کھلتے پھولوں میں سوچ جھنجھوڑ کر جگاتا ہے ۔ پھر عقل کل کے معانی کو فکر کل کے دائروں سے ملاتے ہوئے ، مرکز شعور تک لا کر ، پہلی پہچان سے اُبھرنے والی سرگوشیوں کو خواب زدہ بڑبڑاہٹ یا رویا کی حالت سے روشناس کرا دیتا ہے ۔ یہاں ذہنی کیفیت بدلتی رہتی ہیں ۔کچھ لوگ اسے ہزیان۔۔۔تو کچھ لوگ اسے ذہنی روشنی کے معیار میں ڈوبی زمانی خصوصیت قرار دے کر ، ظاہری مماثلت اور باطنی تغیرات کے حقیقی یقین کا ثبوت سمجھتے ہیں جو طرزِ بیان میں ، تعلقات شعور کے نظام احساسات میں شمسی جنوں، قمری فسوں کے آئینہ دار ہوتے ہیں۔
تعمیری عقیدتوں میں جن ستاروں کی نشان دہی ہوتی ہے وہ فطری ادراک کی تعریف میں درد کے صحیفوں کا ذکر کرتے ہوئے ، اُن پودوں سے بھی ملاقات کرواتے ہیں جن کی ایک ہی شاخ پر پھول اور زرد سبز پتے ہوتے ہیں، جبکہ پھولوں کا رنگ پتوں سے مختلف ہوتا ہے ۔ حالانکہ خوراک روشنی ،ہوا اور پانی دونوں کو ایک ہی زمین اور ماحول میں دستیاب ہوتی ہے۔ اُسی پودے کی جڑوں میں گھاس پھونس اور جڑی بوٹیاں بھی موجود ہوتی ہیں ۔ وہ بھی اُسی ماحول اور زمین سے اپنی ضروریات پوری کر...
Women employment is a practical issue of the modern age. It is adopted by almost all the nations and countries of the world. In the western countries rights of women including employment, trade, property, education etc were recognized after the efforts ofWomen Liberation Movement. However, in Islam these were declared their basic rights since the first day. A western woman is bound to earn her livelihood as it is not the duty ofa western man to provide her basic needs. However, in Islam a woman is legally protected for the provision of all her basic needs and it is the duty of her father, brother, husband and son to provide these to her. Islam permits a woman to do a job or carry out trade activities and earn money subject to some conditions. These may be carried out by the permission of her husband, father, etc. Besides employment, a woman should perform her obligations at her home and family, which is her basic duty. She must be careful about her husband and children rights. She must observe Hijab and abstain from mixing with non-mehram men and should follow other social teachings of Islam. Wealth earned by her is considered her property and she can spend it any way at her discretion. Study of Islamic History revealed that many of the wives of the prophet (Sallalla ho alaihe wassalam) and Sahabiyat (RA) carried out business activities and performed other jobs and thus earned money. They spent it to assist the Prophet's noble cause and to assist their husbands and to care their children. These activities were considered authorized and endorsed by the prophet (Sallalla ho alaihe wassalam)
This dissertation examines the representation of the female hero in the American television drama series which at a cursory glance seems to be informed by the enlightened discourse of feminism. The study looks into the notion of the female hero through a feminist lens in order to determine what ways of objectification, or treating women as objects, are at work in the depiction of the female hero in American television drama series. The objectives of the study were to determine the extent to which the female hero is objectified in American television drama series and expose ideological biases in terms of instrumentality, autonomy, agency, violability and subjectivity that exists in the representation of the female heroes in television drama series. For the purpose of the study of objectification of the female hero three drama series were selected: Grey’s Anatomy, Castle and The Good Wife. Martha Nussbaum’s theory of objectification delineating seven notions of objectification, namely: instrumentality, denial of autonomy, violability, inertness, denial of subjectivity, fungibility and ownership formed the theoretical framework of the study. Horace Newcomb and Paul M. Hirsch’s textual critical approach was used to study and interpret the dominant messages embedded in the pleasant disguise of fictional entertainment. A detailed analysis of the three notions of objectification: instrumentality, denial of autonomy and ownership (Chapter IV) shows that despite being given the role of the hero around whom the action of the drama series revolves, the female heroes, Meredith, Beckett and Alicia are undermined in various ways through objectification. Members of their family, male or female co-workers objectify them and deny them autonomy and claim ownership of them. The needs, interests and experiences of these female heroes are subordinated to those of the powerful, who are authority figures predominantly men and in some instances women as well, either in the family or the workplace. The female hero’s treatment as violable and her lack of autonomy (Chapter V) shows that she is not granted powers expected in the figure of a hero. Authority figures and men who control the female heroes’ lives fail to acknowledge that these women are owners of their own lives and have the right to self-determination and action. There is little awareness and resistance on the part of the women heroes as they sacrifice their individuality and independence and submit to the authority of men considering it beneficial to them. The analysis of the female heroes reveals that despite being given the role of heroes their agency is limited. They are not fully autonomous and are inert as someone else manages the decisions about their life and career. This inertness mars their status as heroes who are not fully active agents. It is a subversive strategy used in patriarchal societies to control tough women which reveals that women are only allowed to show power within certain parameters which do not threaten male dominance.