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Finding Common Grounds; Fostering togetherness through an Artistic Community Hub

Thesis Info

Author

Sania Mahmud

Supervisor

Syed Lakhte Haider

Department

Department of Architecture

Program

Bachelor of Architecture

Institute

COMSATS University Islamabad

Institute Type

Public

Campus Location

COMSATS University Islamabad

City

Islamabad

Province

Islamabad

Country

Pakistan

Degree Starting Year

2018

Degree End Year

2023

Thesis Completing Year

2023

Thesis Completion Status

Completed

Page

77

Subject

Architecture

Language

English

Added

2024-07-01 12:02:34

Modified

2024-07-02 19:31:38

ARI ID

1719930698157

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Quetta has been an emotional sanctuary for all its people to tether their hopes and personal belongingness to. The city has seen ages of despair and years of uncertainty; and deserves a chance at rejuvenation of its people and the said people’s individual growth through expression, collaboration and promotion of the idea of contriving new ideas of progress. Finding and providing a common ground for the ethnically diverse but humanely similar people of Quetta is a primary necessity for the survival of the city and its happiness. All forms of art cohere a society and cement it into a strong community. Art is the perfect foundation for building an environment of amity and evolution. Providing a creative space that accepts all the people of the city with open arms and welcomes all artists, entrepreneurs and connoisseurs can play a vital role in the transformation of the city into a better whole.
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خون جگر ہونے تک

خون جگر ہونے تک
اپنی کتاب کا دیباچہ لکھنا توحالیؔ جیسے لوگوں کو جچتا ہے جو دیباچہ لکھیں تو تنقید کی پہلی کتاب وجود پا جائے۔میں تو عاجزانہ طور پر چند عروضی نکات پیش کرنا چاہتا ہوں۔میرا یہ دیباچہ سب کے لیے نہیں ہے۔ اس کی دو وجوہات ہیں۔ ایک تو عروضی بحث اس قدر گنجلک اور پیچیدہ ہوتی ہے کہ ہر کسی کو اس سے شغف نہیں ہوتا اور دوسرا جو لوگ عروض پہ دسترس رکھتے ہیںان کے لیے اس وضاحت کی ضرورت نہیں کیوں کہ وہ عروض پہ اس دیباچے سے بہت بہتر کتابیں پڑھ چکے ہیں۔ یہ دیباچہ فقط ان لوگوں کے لیے ہے جو شعر کہتے ہیں اور عروض میں بھی ٹانگ اڑاتے ہیں اورجب کسی شعر کی بحر سمجھ نہ آئے تو اسے بے وزن کہہ دیتے ہیں۔زیادہ تر ہندی بحر کے سلسلے میںان کا رویہ ایسا ہوتا ہے اوراگر ان کے سامنے کسی بڑے شاعر کا مصرع بہ طور نمونہ رکھ دیا جائے تو وہ اسے بھی بے وزن کہنے سے ذرا نہیں ہچکچاتے۔ فاع فاعلن یا فعَل فعولن ان کی سمجھ سے باہر ہو جاتا ہے۔ دراصل ایسے حضرات ہندی بحر کی چند معروف صورتوں کے سوا باقی صورتوں سے آشنا ہی نہیں۔
میرا یہ شعری مجموعہ ہندی بحر میںہی تخلیق ہوا ہے اور ہندی بحر میں خاصا تنوع پایا جاتا ہے۔ہمارے وہ لوگ جو عروض کو سرسری طور پر جانتے ہیں۔اس بحر کو سمجھنے میں ٹھوکر کھاتے ہیں۔وہ ہندی بحر کی چندمعروف صورتوں سے ہی واقف ہیں۔وہ بس اِسے ہی ہندی بحر سمجھتے ہیں مگر ہندی بحر کی متنوع صورتیں ہیں۔ان حضرات کے سامنے اگر کوئی مختلف صورت آ جائے تو وہ اسے سمجھنے سے قاصر رہتے ہیں کیوں کہ وہ ان صورتوں سے آشنا ہی نہیں اور وہ اسی ناآشنائی میں اس مصرعے کو بے وزن کہہ دیتے...

سیرت نگاری کی مشرقی و مغربی روایت: منتخب مصنفین کا تقابلی جائزہ

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