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Urdu Short story undergone many thematic and stylistic changes through its evolution decade by decade in the 20th century. In the first three or four decades narrative style of short story writing was much popular style because it was much suitable for the topics associated with realism. In Pakistan era, soon after independence narrative style of writing gradually changed and influence of modern movements in other arts and literature and techniques associated with these movements increased on Urdu short story. In 60s a movement in Urdu Nazm emerged generally called Nai Nazm (the new poem). The movement was initiated basically for poetic genres especially free verse. The movement was of the opinion that the old phrases and set grammatical structures are not sufficient to convey the complexity of the mind of modern man. So these structures should be broken and new and fresh patterns should be introduced. This changed the new poetry with regard to its content as well as its style. These changes in Nai Nazm influence other genres of literature especially the modern short story. This thesis critically analysis these changes. The thesis consists of five chapters and starting from the start of 20th century, when the Urdu short story was introduced in Urdu literature and influenced by contemporary literary movements, it presents a thorough study of Urdu short story before partition. In the next chapters emerging of the movement of Nai Nazm, its salient features are discussed. In the next chapters influence of this movement on modern literature is analyzed. In the final chapter works of selected short story writers are critically discussed in the context of influence of Nai Nazm movement.
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