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Home > مہر کا شرعی تصور اور پاکستان میں اس کے مروجہ طریقے

مہر کا شرعی تصور اور پاکستان میں اس کے مروجہ طریقے

Thesis Info

Author

Tamseela Batool

Department

Department of Islamic Studies

Program

Mphil

Institute

National University of Modern Languages

Institute Type

Public

City

Islamabad

Province

Islamabad

Country

Pakistan

Thesis Completing Year

2015

Subject

Islamic Studies

Language

Urdu

Added

2021-02-17 19:49:13

Modified

2024-03-24 20:25:49

ARI ID

1676728748329

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Mahar or Dower is a sum of money or other property which the wife is entitled to receive from husband in consideration of the marriage. Dower is that financial gain which the wife is entitled to receive from her husband by viture of the marriage contract itself whether named or not in the contract of marriage, in which case proper Dower (Mahr Mithl) becomes due. The dower, therefore, is a right which comes into existence with the marriage contract held in abeyance till a certain event, i.e., dissolution of marriage by death or divorce, occurs. Dower money is a debt payabale to a wife and she is within her legal right to even press for its payment. Dower is an important part of marriage ceremoney in Islamic tradation and in Muslim Society. The thesis contain four chapters. First chapter is about historical aspects of Dower in different Muslim societies. Second chapter describe about the terms and termonology of dower. Third chapter is Mehar in light of Quran and sunnah. The components of Mahar in light of Quran and Sunnah. In this chapter also expalin the Mahar of Umahat-ul-Mominen and Binat-e-Rasool. (SW). Four and last chapter is about the Mahar system in Pakistan and Kinds of Mahar in different socieities of Pakistan. According to Islamic teaching Mahar is essential parts of marriage. So it can not be denied in any way according to Quran and Sunnah. One can not use the right of women without her permission but if she permit the husband can use it.
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ایلافِ وفا کا تجزیاتی مطالعہ

ایلافِ وفا کا تجزیاتی مطالعہ
اخلاق حیدر آبادی
(شعبہ اردو ، رفاہ انٹر نیشنل یونیورسٹی ،فیصل آباد)
شاعری انسانی تخیل کا پُر جمال اور بلیغ اظہار ہے۔ شاعری میں نظم نے انسانی فکر اور ادراک کو مربوط اور پر اعتماد ہو کر آگے بڑھایا ہے۔ آرائش خیال کے لیے کبھی پابند نظم اور کبھی نظم ِ معرا کو خوب پذیرائی حاصل ہوئی۔ پھر آزاد نظم نے نسبتاً انسانی فکری جہتوں کو زیادہ بے باک انداز اور آزادی کے ساتھ پیش کیا ۔اردو شاعری کے منظر نامے میںنظم گو شعرا ابلاغ کی سطح پر پیش رفت کرتے نظر آتے ہیں۔ وقت کے ساتھ نظم کی روایت نے تخلیق کار کو ایک نئے آہنگ سے متعارف کرایا۔
شاعری کی بابت بہت کچھ کہا گیا ہے اور کہا جاسکتا ہے مگر مختصر اور جامع طور پر ہم کولرج اور شیلے کے ہم زبان ہو کر کہہ سکتے ہیں ’’شاعری تخیل کی زبان ہے‘‘ ۔کانٹ نے بہت دل نشین اندازمیں اپنی کتاب ’’انتقادِ محاکمہ(Aesthetic judgment of critique) ‘‘ میں اپنے کلیدی جملہ میں اپنے نظریہ تخیل کا خلاصہ یوں پیش کیا ہے
’’ تخیل اس مواد سے جو فطرت اس کے لیے مہیا کرتی ہے،ایک فطرتِ ثانی تخلیق کرنے والا ایک زبر دست عامل ہے‘‘(۱)
شاعر یا تخلیق کار کے پاس اظہار کے لیے جو چیز اساس بنتی ہے۔ وہ اس کا احساسِ تخیل ہے۔ ابلاغ کے لیے علامت، استعارہ ،مشاہدہ اور تجربہ تو ہوتا ہے۔ بلکہ الفاظ کے انتخاب کا کڑا فیصلہ بھی شاعر کو ہی کرنا پڑتا ہے۔ اسی طرح نظم کا نام بلا شبہ علامت ہے۔ کسی چیز کی ماہیت نہیں ۔ شعریات کو صنف میں علامتی سطح پر وابستہ کیا جا سکتا ہے۔ حالی ؔ کا یہ قول’’ نفسِ شعر وزن کا محتاج نہیں‘‘ اب تک ایک بامعنی اور راہنما ہے۔ عبدالسمیع اپنی کتاب ’’اردو میں...

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