The trends for the Urdu short story right from the beginning are political. Politics and Literature have deep ties because of the desire of change in almost every writer. I have studied these influences in the context of Pakistani Urdu short story (1947 to 2011). The thesis under view consists of five chapters. The first chapter contains "Introduction and basic concepts" of Politics and literature and its ties. The second chapter covers the influence of politics on short story from 1900 to 1947. Chapter three covers the political influence on Pakistani Urdu short story. I have discussed political influences on modern short story from 1960 to 2011 in chapter four. Chapter five contains conclusion, recommendation and synthesis of first four chapters. In the present study I have also focused the changing political, social and economic scenario and incidents which have influenced Pakistani politics. from the beginning. The history of the genre of the short story reveals that the narrator has been portrayed in many ways according to the structure, composition and other requirements of the story. This thesis aims at discovering and identifying the significance of the narrator in the development and success of a short story. The research is based on the hypothesis that using a narrator is quite helpful for the story- writer because it can state the external and extraneous factors as well as the internal realities and hidden phenomenon. The thesis includes six chapters in all. The first chapter deals with the introduction, definition and literary limitations of a narrator. It also sheds light on its significance in fiction and studies the historical development of its use in fiction. In the second chapter the early period of Urdu Short Story has been studied in this respect and particularly the use of narrator by the writers like Sajjad Haidar Yaldram and Prem Chand has been studied and analyzed. The third chapter covers the period between 1936 and 1947 and the use of this technique by the writers like Saadat Hassan Manto, Krishan Chand, Rajindar Singh Bedi, Ghulam Abbass, Aziz Ahmad and Amsat Chughtai has been specifically studied and analyzed. This period is considered very important in the history of Urdu short story and the Progressive school of thought influenced the Urdu short story the most in this period. Angarey, the first anthology of progressive short stories was published; which has also been a focus of study in this chapter. The fourth chapter deals with the post-colonial story writers until 1960s. It includes the most important names such as Ahmad Nadeem Qasmi, Mumtaz Mufti, Qurat al Ain Haidar, Ashfaque Ahmed, Bano Qudsia, Khadija Mastoor, Razia Fashi Ahmad, Akhtar Jamal and Ghulam Saqlain Naqvi. An attempt has been made to comprehend how these writers have used the narrator to develop their short stories and make them more effective. The fifth chapter deals with the contemporary short story. Modern writers like Intizar Hussain, Anwar Sajjad, Khalida Hussain, Mirza Hamid Baig, Rasheed Amjad, Mansha yaad and Asad Muhammad Khan have been studied in respect of the use of narrator in their short stories. The last chapter gives an overview of the whole period and concludes the whole thesis by giving an over-all analysis of the role narrator in Urdu short story.